![]() What you hear is your mix, exactly the way you want it to sound – only now you have a more accurate way to monitor it on headphones. Most important: Waves Nx does all this without coloring your sound in any way. Want to mix for 5.1 surround on your regular stereo headphones? Waves Nx lets you do exactly that – a true revolution in the world of surround mixing. Need to spend hours at a time mixing on headphones? By delivering the natural listening experience of a physical room, Waves Nx makes the headphone experience comfortable and ear-friendly over long periods of time. By letting you hear on headphones the same natural depth and stereo spread you would be hearing on external monitors, Waves Nx puts an end to constant cross-referencing between the two. ![]() Waves Nx finally bridges the gap between monitoring on speakers and monitoring on headphones: no longer do you have to worry that what you’ve mixed on headphones will sound different once you switch to speakers. This way, you can hear all the elements of your mix accurately laid out in space, just as you would in the sweet spot of a beautiful-sounding room. Waves Nx “unmasks” your headphone sound, letting you hear everything with real-world dimension, rather than flat in your head. ![]() Want to turn your headphones into a more reliable mixing and monitoring tool? Here are just some of the advantages Waves Nx has to offer: You can now enjoy all the advantages of headphones – portability, affordability, privacy – with all the acoustic benefits of a great-sounding, fully professional mixing facility. Powered by Waves’ groundbreaking Nx technology, this plugin lets you hear, on headphones, the same natural depth, natural reflections, and panoramic stereo image you would be hearing from speakers in an actual, physical room. Waves Nx gives you the optimal acoustics of a great mix room – right inside your headphones. I'd recommend them for listening to music but after about a year of using them to produce on my commute, I realised how ill suited for the job they were.Waves Audio (Booth 6620, Hall A), a leading provider of digital signal processing solutions, introduces Waves Nx, a Virtual Mix Room plugin that puts you in the sweet spot – everywhere you go. Shits either hard left, hard right, or dead centre. Also they have an absolutely terrible stereo image. They're good headphones, but they're not flat and the low end is full of extra punch. I still want to test the Fostex T40rp mk3 and the Samson Z55 but I can't find anywhere to do so. High end was lacking detail ever so slightly and the stereo image isn't quite as good, but overall very tight sound, and very flat, and only 100 quid. Shure srh840: really surprisingly good, almost as good as the focals but not quite. Low end was cluttered and forward, a few notable spikes in the mid and highs. Not worth the price.īeyerdynamic dt770 pro: really don't understand the hype about these. Relatively flat, though lacking in detail, slightly harsh high end. No idea why they cost 120 quid.ĪTH-M70x: supposedly the big brother of the m50s and designed for studio monitoring. Highs sound distorted and mids are scooped. Sony MDR7509: really unimpressed with these. Only issue is the isolation isn't great and they are massive. They are the only closed headphones I've ever used that are better for production than the focals. In looking for a replacement at the moment. They are incredible in terms of sound quality, but they suck balls in terms of build quality. The best headphones I've found for train production are the focal spirit pros. I'd recommend them for listening to music but after about a year of using them to produce on my commute, I realised how ill suited for the job they were. Click to expand.I used to own a pair of m50s.
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